#Reservoir dogs meaning movie

The film suggests that the love of his life might have been the student and model Valentine Dussaut (IrГЁne Jacob), but they were simply born too far apart. It focuses on a retired judge (Jean-Louis Trintignant) who listens in on the phone conversations of the people around him. It is a French film shot in Geneva that was вЂњ deemed too PolishвЂќ to be eligible for the Best Foreign Film Oscar. Tarantino himself describes Red as a вЂњ masterpiece.вЂќ It is a study of anomie and disconnect. Both are meditations on a chaotic, detached world. However, there is not as much difference between KieslowskiвЂ™s Red and TarantinoвЂ™s Pulp Fiction as Rosenbaum would claim.

The decision of Clint EastwoodвЂ™s jury to award the prize to Tarantino remains controversial among a certain class of film critic. Jonathan Rosenbaum complained that a вЂњ nihilistic pop masterpieceвЂќ like Pulp Fiction could win the Palme dвЂ™Or at the Cannes Film Festival ahead of Krzysztof KieslowskiвЂ™s Red. Although Manohla Dargis was careful to avoid directly implicating Tarantino in what she christened вЂњ the new nihilismвЂќ that same week, the fact she felt the need to mention him at all suggested his association with the movement. In 1998, Los Angeles Times film critic Kenneth Turan reported a colleague lamenting how вЂњ the gleeful and nihilistic mixture of bloody violence and comedyвЂќ associated with Tarantino had infected cinema.

These accusations haunted Tarantino through the decade.

#Reservoir dogs meaning movie

At The Washington Post, Desson Howe described the film as a вЂњ nihilistic drama.вЂќ At Variety, Todd McCarthy went further, arguing it was вЂњ nihilistic but not resonantly so.вЂќ Stephen Hunter in The Baltimore Sun described it as вЂњ one of those pulpy endorsements of nihilism that ends up with just about everybody in the movie and several poor souls in the first rows of the theater on slabs.вЂќ These criticisms began with contemporary reviews of Reservoir Dogs, TarantinoвЂ™s directorial debut. One of the most pervasive criticisms that contemporary critics leveled at the earliest films of director Quentin Tarantino was one of вЂњnihilismвЂќ - the belief that his films embodied a cynical view of an amoral universe that was unraveling at the seams with nobody who could stop it.